My Old Ass Movie Review by Movie16
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My Old Ass movie review by movie16
“My Old Ass” is a fresh take on the coming-of-age comedy genre, blending elements of body-swap and time-travel movies while maintaining a grounded, authentic tone. Directed and written by Megan Park, this film introduces a unique spin on a familiar concept: a young woman meeting her older self at a crucial turning point in life. Park, known for her emotionally resonant drama “The Fallout,” switches gears to deliver a lighter, but equally poignant story, marked by sharp writing and genuine performances.
Maisy Stella shines in her feature debut as Elliott, an irreverent 18-year-old preparing for college, who unexpectedly encounters her 39-year-old future self, played by Aubrey Plaza. The premise of “My Old Ass” is set in motion during a mushroom-fueled trip in the woods with her best friends, leading to a surreal yet touching encounter between the two versions of Elliott. What could have easily been a gimmicky setup instead becomes an exploration of identity, self-awareness, and the uncertainty of growing up.
Stella’s portrayal of Elliott is magnetic, with a mix of vulnerability, humor, and youthful exuberance that makes her character both relatable and compelling. Her natural chemistry with Plaza, who plays the older, wiser version of Elliott, grounds the film’s magical realism. Plaza brings her signature deadpan humor but also showcases a deeper, more reflective side, adding richness to their dynamic. Despite the physical dissimilarity between the two actresses, they share an uncanny ability to make their interactions feel authentic and heartfelt.
One of the film’s strengths is Park’s decision not to over-explain the mechanics of how or why Elliott’s older self appears. Instead, the focus is on their evolving relationship and the life lessons Elliott absorbs from this unexpected encounter. Plaza’s Older Elliott, while offering cryptic advice (such as the humorous warning to avoid men named Chad), encourages her younger self to explore life’s uncertainties without giving all the answers away.
Complicating matters is the arrival of Chad (Percy Hynes White), a charming summer worker on Elliott’s family’s cranberry farm. Elliott’s growing attraction to Chad forces her to confront her previously firm belief in her sexual identity as a lesbian, adding another layer of self-discovery. This storyline, handled with sensitivity and humor, reflects the film’s willingness to explore the fluidity of identity in a way that feels modern and relevant.
The film’s setting on a scenic Ontario cranberry farm, beautifully captured by cinematographer Kristen Correll, adds a layer of nostalgia and wistfulness to the narrative. The golden afternoons on the water and looming thunderstorms mirror Elliott’s emotional journey, creating a vivid sense of place that enhances the film’s tone.
As Elliott navigates her final days before college, she learns not only from her older self but also through her relationships with her family, including her younger brothers and her quietly supportive mother (Maria Dizzia). These interactions, rich with both humor and heart, elevate the film beyond its high-concept premise, giving it emotional depth.
The film’s third act blends humor with heartfelt moments, as Park skillfully balances the film’s tonal shifts. There are moments of heartache, hope, and uncertainty, but Park never lets the film become overly sentimental. Instead, “My Old Ass” delivers a refreshing, authentic take on the familiar coming-of-age formula, with Elliott learning that while her older self may have some answers, the journey to self-discovery is hers to navigate.
Ultimately, “My Old Ass” stands out as a witty, touching film that breathes new life into a well-worn genre. Stella’s star-making performance, Plaza’s nuanced portrayal, and Park’s deft storytelling combine to make this a charming and thought-provoking exploration of youth, growth, and the wisdom that comes with time.
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