Conclave movie review & film summary (2024) - Movie16

 

"Conclave" Movie Review: A Thrilling Glimpse into an Ancient Tradition

Conclave is a film that electrifies viewers with its sharp dialogue and exceptional performances, leaving an indelible impression long after the credits roll. The story unfolds with visually captivating scenes that enhance the narrative’s gripping twists, delivering a multi-layered cinematic experience. At its core, the film offers a rare and fascinating peek into one of the most secretive rituals in history—the selection of a new Pope by the Catholic cardinals.

While this age-old process has intrigued people for centuries, the movie goes beyond mere historical curiosity. It delves deeply into universal themes of ambition, manipulation, faith, doubt, and the eternal conflict between progress and tradition. These human struggles, portrayed with authenticity and intensity, resonate strongly with contemporary audiences. The narrative subtly reminds us that, despite their sacred robes and rituals, the cardinals are as flawed and relatable as anyone else.

Conclave is a thought-provoking, occasionally humorous film that challenges perceptions and delivers unexpected surprises. It invites viewers to reflect on their own beliefs while offering top-tier entertainment, making it a standout movie of the year.

A Rushed Beginning: Setting the Stage

The story begins with a sense of urgency. Cardinal Lawrence (Ralph Fiennes) hurries through the Vatican, carrying his briefcase and red zucchetto—a cardinal’s customary skullcap. The Pope lies on his deathbed, and Lawrence joins other clergy in a solemn prayer by his side. Moments later, the Pope passes, initiating the transition process with a symbolic act: the removal and destruction of the Ring of the Fisherman, the Pope’s seal. This task, though ceremonial, is awkwardly executed, foreshadowing the difficulties to come.

Behind Closed Doors: The Conclave Begins

As the Dean of the College of Cardinals, Lawrence is tasked with overseeing the conclave. This centuries-old process involves sequestering the cardinals in a Vatican dormitory, with their only communication to the outside world signaled through the iconic smoke from the Sistine Chapel chimney—gray for inconclusive votes and white for a new Pope.

The ballots are meticulously written and burned, emphasizing the solemnity of the task. Yet, despite the gravity of their mission, the cardinals bring their human imperfections into the process, leading to power struggles, ethical dilemmas, and revelations of past indiscretions.

The Burden of Power and Humility

The film highlights an enduring paradox: the most suitable leaders are often those who do not seek power. This principle feels particularly relevant for the role of Pope, a lifetime appointment with immense responsibility as the head of the Catholic Church and Vatican City. Once elected, the Pope becomes the ultimate authority on matters of faith and morality, guided by the belief in his divine infallibility when speaking ex-cathedra.

Lawrence, grappling with his own doubts, planned to step down from his position. However, his moral compass compels him to navigate the conflicting interests of the cardinals. Although he states his intent to avoid hearing rumors or allegations about potential candidates, Lawrence cannot ignore serious concerns. He takes it upon himself to investigate issues of suitability, even bending the rules when necessary.

A Complex Cast of Characters

The film’s richly drawn characters are brought to life by a stellar ensemble cast. John Lithgow portrays a cardinal whose efforts to secure votes toe the line between ambition and unethical behavior. Lucian Msamati plays an African bishop whose potential election could symbolize inclusion, though a buried secret threatens his candidacy.

Lawrence places his faith in Cardinal Bellini (Stanley Tucci), a liberal whose progressive views alienate many voters. Tucci’s nuanced performance stands out even amidst this extraordinary cast. On the other end of the spectrum is Cardinal Tedesco (Sergio Castellitto), a staunch traditionalist advocating for a return to rigid doctrines and Latin liturgy. Isabella Rossellini shines as a perceptive nun who observes more than she lets on, adding depth and intrigue to the narrative.

Visual Splendor and Human Drama

The film’s cinematography, helmed by Stéphane Fontaine, is a visual masterpiece. The iconic red robes of the cardinals, the vivid uniforms of the Swiss Guards, and the intricate architectural details of the Vatican are captured with stunning precision. This visual grandeur contrasts sharply with the cardinals’ human flaws and petty rivalries, heightening the story’s dramatic impact.

As the conclave unfolds, the film takes on a tone reminiscent of a high-stakes drama, interwoven with moments of dark comedy. Rumors and revelations create a web of tension and unpredictability, keeping viewers engrossed until the final frame.

A Twisting Tale with a Satisfying End

The plot’s twists and turns are masterfully crafted, with each revelation leading to new complexities. The climax, though surprising, feels earned and provides a satisfying resolution, much like fitting the final piece into an intricate puzzle.

Conclave succeeds in balancing its exploration of faith and tradition with a compelling human story. It is a cinematic achievement that captivates audiences with its thoughtfulness, wit, and emotional resonance.

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Final Thoughts

Conclave is more than a film about religion or power; it is a reflection of humanity in all its grandeur and imperfection. Its provocative narrative, combined with exceptional performances and breathtaking visuals, makes it a must-watch for those who appreciate intelligent and engaging cinema.

With its universal themes and meticulous attention to detail, Conclave will leave viewers both entertained and contemplative—a true hallmark of great storytelling.